As the professional organization of members of the media who cover education at all levels, EWA has worked for more than 65 years to help journalists get the story right. Today, EWA has more than 3,000 members benefiting from our high-quality programs, training, information, support, and recognition.
If you haven’t yet heard of the U.S. Supreme Court’s decision to uphold the use of race as a factor in college admissions, you may have at least seen the #BeckyWithTheBadGrades buzz on Twitter and wondered what it meant.
Though it is in part a reference to Beyoncé’s “Lemonade” sensation, the hashtag has more to do with higher education than pop culture.
The grim subject of violent attacks in schools seems unlikely to go away. While the 2012 massacre at Sandy Hook Elementary School appeared to be a watershed moment in the national conversation about how to keep schools and students safe, school shootings have continued and little has changed in how the issue is covered in the news media.
Most stories about school security center tend to focus on extreme events or threats.
Students of color represent more than half of the United States’ public school population, but their parents are the most underrepresented group of stakeholders in local and national conversations about whether policies and reforms are working for their students.
A panel of experts who engage parents of color on local and national levels shared these and other observations with education reporters in Boston at the Education Writers Association annual national conference. And their message was clear: No longer can these voices be ignored.
Thanks to Broadway star Lin-Manuel Miranda and two nonprofit groups, thousands of public high school students in New York City are getting access to the hottest ticket in town.
Wayne D’Orio, editor in chief of Scholastic magazine, joins EWA public editor Emily Richmond to discuss an innovative curriculum built around the hip-hop infused musical about the life of Alexander Hamilton, the nation’s first secretary of the treasury. How are teachers using the show as a springboard to connect students to challenging academic content aligned to New York’s Common Core State Standards? Why is the show so popular with Advanced Placement U.S. History classes? And what are some smart story ideas of other pop culture influences being used by teachers to engage kids?